Video GenerationSeedance 2.5
The exact prompt from the video
A Seedance 2.5 prompt from the TECH4SSD tutorial "The Frozen Second: Build the Viral Bullet-Time Ad in One AI Generation".
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A Seedance 2.5 prompt from the TECH4SSD tutorial "The Frozen Second: Build the Viral Bullet-Time Ad in One AI Generation".
A single continuous 10-second cinematic shot, summer afternoon, sunlit European city street with pastel neoclassical facades, wide empty road on the left, stone-paved sidewalk. SUBJECT: the person from @PERSON - identical face and full outfit preserved exactly. PROP A: he wears the sunglasses from @GLASSES - identical frame shape, metal colour, lens tint. PROP B: he carries the drink from @DRINK - identical can, label artwork and liquid colour. 0.0-2.0s - Extreme low angle, camera 15cm off the ground, dollying BACKWARD at walking pace, framed tight on his shoes striding toward lens on grey paving stones. Shallow depth of field. 2.0-4.5s - Without a cut, the camera continues retreating while craning upward and tilting up: pants, torso, then his upper body and face. He is mid-call, phone at his ear, drink in the other hand, sunglasses on, walking straight at the lens with a confident unbothered expression. 4.5-5.5s - A man in a beige linen suit walks into frame from the right and their shoulders collide. His head snaps, momentum breaks. 5.5-7.5s - SLOW MOTION begins and deepens. The sunglasses lift off his face and tumble toward the lens; the can slips from his fingers and rotates in the air; the liquid spills out the top and a rope of pink lemonade arcs out in suspended droplets. He is soft-focus behind it, arm still raised with the phone. 7.5-10.0s - EXTREME slow motion, near-frozen. The camera glides forward and passes THROUGH the tinted sunglasses lens - the world warms to amber for a beat as the frame rim sweeps past - then racks focus onto the tumbling can, ending on a macro hold on the label as lemonade droplets hang mid-air. STYLE: shot on 35mm anamorphic, warm golden grade, creamy bokeh, natural sunlight with hard shadows, high-speed camera realism for the slow-motion half, seamless single take, no cuts. Diegetic street ambience only.
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